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The Lost Plaques: Goscombe John's plaques to the memory of Alderman Thomas Jones, ship owner, coal exporter and Mayor of Newport in 1892-3

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The Lost Plaques: Goscombe John's plaques to the memory of Alderman Thomas Jones, ship owner, coal exporter and Mayor of Newport in 1892-3.  A newspaper drawing of Thomas Jones' memorial plaque When Thomas Jones died in New Zealand on October 18, 1903 his Welsh friends asked the Welsh artist Goscombe John to create two memorial plaques to commemorate his life in Wales. One of them was to be created in bronze. Questions come to mind. Who was Thomas Jones and why did he deserve this honour and where are the plaques today? However his story is relevant because just as we are trying to defeat Corona Virus he was trying to defeat tuberculosis a bacterial disease of which many people were dying in his lifetime. The disease had been known since ancient times but in the 18th and 19th centuries it increased due to the growth of industrialisation leading to large urban areas. It affected the rich and the poor and was not effectively defeated until and the BCG vaccine became available in

Four videos about four works of art in Newport Museum and Art Gallery's collection.

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  Four videos were made for 'Art on the Hill Newport' 2020 f or which members of the Friends of Newport Museum and Art Gallery  gave a talk on a work of art chosen from Newport and Art Gallery's collection. Each.   1.  James Milne works for National Museum Wales but had studied art and photography and has exhibited his work in our Art Gallery. He tells us what interests him about the complexities of subject and composition in a painting by Welsh artist, Ernest Zobole. Click here for more information about Ernest Zobole 1927-99. 2.  Jon Glasbrook Griffiths, tells us the story of Swansea artist Evan Walters. Jon compares the popular, more conventional work for which Walters was famed, against his later controversial and experimental work with 'double images'. Jon studied art and has long had an interest on Evan Walters' art career. Click here for more information about Evan Walters 1893-1951. 3.  Richard Frame studied art at Newport College of Art and is past cha

John Frost's Grave Stone

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  John Frost's Grave Stone  by  Richard Frame On my regular trips to Newport Museum and Art gallery I would always pause at the cabinet that housed the Chartist Collection, which included a photograph of John Frost’s house in Stapleton, near Bristol, where he went to live with his wife and daughter when he was finally allowed to return to Britain in 1856.             Since 1983 I’d been living on Bassaleg Road and had taken an interest in locating those people buried in St Woolos Cemetery who had played a role in the development of the town. It wasn’t just those who had grand memorials to keep their names alive: I was equally interested in the dips in the ground of those unknown souls who played their part as well. This meant long periods thumbing through old newspapers in Newport Reference Library and seeking out their stories.             It occurred to me that I didn’t know where John Frost was buried. Was his body brought back to Newport after his death in 1877 or was it pu

Musket Balls and Misconceptions

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Musket balls and misconceptions by Ray Stroud Artist unknown ©  Newport Museum and Art Gallery         Many youngsters through the years have found it difficult to resist the temptation of squeezing their fingers into the holes in the pillars of the Westgate Hotel.   We had all, probably, been regaled with stories of the Chartist attack on the Westgate, and of the musket balls that had penetrated the building during the battle.   But were these tales based on truth or myth?   In recent years, many in Newport have adopted the ‘myth’ position, arguing that they had been drilled into the pillars at a later date, possibly to attach gates or some other structure.   But does that theory line up with the historical evidence? The holes found in the pillars as they look today.  © Ray Stroud         The portico, which today sadly stands concealed behind sheets of chipboard, is the only remaining feature of a building that was constructed in 1799.   Interestingly, it is actual

A Legacy from Newport's Victorian Era

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A Legacy from Newport’s Victorian Era by Mary Evans Copyright Newport Museum and Art Gallery, Percy Scannel's archive,  Ref. 1906, 96.469.1. Postcard dated 1906.  For more postcards  click here Access to green spaces became a valued part of our lives during lockdown and public parks played a major role in many areas. As I have been walking through Belle Vue Park and Tredegar House Parkland over the past few months it has struck me how their reopening during lockdown was carrying on the tradition of the public park movement of the late 19th Century. Newport reopened its parks on the 18 May this year when initially visitors were limited to a 5 mile radius. The oldest of its parks, Belle Vue, is a legacy of the public park movement which was such a success in the later part of the 19th Century and  depended on funding from town and city corporations across Britain. In the early part of the Victorian era access to public open green spaces would have been